Dos diálogos entre literatura e música: uma análise lítero-musical das composições de Belchior

Abstract

This paper aims to analyze the network of intertextualities mobilized in the compositions of the artist Belchior, taking into account the philosophical reflection and literary depth that characterize his lyrics, as well as the constant dialogue with classic authors of literature such as Dante Alighieri, Olavo Bilac, Carlos Drummond de Andrade and with other Brazilian and foreign composers such as Bob Dylan, The Beatles, Luiz Gonzaga and Caetano Veloso. The research is of a documentary nature, in proposing a qualitative analysis of the compositions, as it makes use of subjective questions and social phenomena. Methodologically, Discourse Analysis was used, as it is an approach that allows the investigation of the discursive crossing in verbal texts through the use of intertextuality. As a theoretical basis, in addition to Discourse Analysis, we used Mikhail Bakhtin's dialogic theory, as we understand that dialogic orientation is naturally a phenomenon inherent to all discourse, a theory that elucidates the principle of interdiscourse and intertext, central ideas to support the theoretical and methodological framework of this research. The analysis started from a corpus of Belchior's compositions, from which two compositions were selected, Divina Comédia Humana and Monólogo das Grandezas do Brasil, presenting interdiscursivity and intertextuality in a detailed way and highlighting the resignifications operated in Belchior's lyrics.