A visão narrativa da obra O Retrato de Dorian Gray: um estudo comparativo entre o livro de Oscar Wilde e o filme dirigido por Oliver Parker no viés do narrador

Abstract

This study was developed in the field of comparative literature in light of theories involving the structure of the Literary and Cinematographic Narrative, as well as the Literary and Cinematographic Narrator, whose object is to study the novel The Portrait of Dorian Gray (1891) by Oscar Wilde, and the film The Portrait of Dorian Gray directed by Oliver Parker (2009). The study presents, as a general objective, to analyze and interpret the narrative by the narrator's bias, verifying the similarities and differences between the book and the film. In relation to the specific objectives, it is proposed to identify the presence of the narrator both in the book and in the film, verifying the narrator's focus; to classify the narrator and to define his narrative focus, to analyze the distance of the narrator from the narrated text and the reader / spectator. Methodologically, a qualitative bibliographical study was carried out, through books, academic studies, documentary data such as articles, and specific audiovisual material, with major scholars: Carvalhal (2006), Coutinho (2010), Garrit (2007), Genette (1972), Queluz e Silva (2015), Toffoli (2013) e Wilde (2012). So it can be said that the narrator is present both in the book and in the film The Portrait of Dorian Gray, defining that this is a narrator of the omniscient type intrusive and hetero diegetic, since in narrating it is perceived in parallel distance and the reader / spectator's approximation of the narrated history, and that using dialogue and the plane / close leads them to the interior of the media world