Intertextualidade e produção de sentidos nas tiras “um sábado qualquer”, de Carlos Ruas Bon

Abstract

Intertextuality is a phenomenon of great relevance for the production of meanings, materialized by different authorized resources and rescued in a partnership between producer and reader. It directs the reader in this construction based on the explicit or implicit marks left by the author and recovered, or not, through shared knowledge. According with this relevance, arises the present dissertation research that seeks to answer the following questions: How does intertextuality manifest itself in the strips “Um Sábado qualquer”, by Carlos Ruas Bon? How do intertextual relationships collaborate to the construction of the meanings of the strips and from the reach of the intended communicative purposes? The objective was to investigate the intertextual relations present in the construction of strips’ samples “Um Sábado Qualquer”. The study is based on the contributions of basic authors about intertextual phenomena, such as: Genette ([1982] 2010), Piègay-Gros ([1996] 2010), Sant'Anna ([1985] 2003), Koch ([2004] 2009), Koch, Bentes and Cavalcante (2012), Nobre (2014), Cavalcante (2012), Faria (2014), among others; as well as authors who establish the axes on gender and, specifically, strip, communicative purposes and humor, among them: Bakhtin (2011), Marcuschi (2008, 2010, 2011), Bezerra (2017), Ramos (2018, 2017, 2016 , 2014 and 2009), Vergueiro (2012), Capistrano Júnior (2017), Castro (2016), Hemais and Biasi-Rodrigues (2005) and Biasi-Rodrigues and Bezerra (2012), who highlight the contributions of Swales, and Possenti ( 2018), among others. The corpus is consisted of 07 strip samples, taken from the blog of “Um sábado qualquer”, taking as categories of analysis adaptations of the parameters proposed by Nobre (2014) and the contributions of Travaglia (2015; 1989) about the humor studies in Brazil. The analyzes allowed to ratify that the phenomenon of intertextuality is fundamental to the meanings’ production on strips, considering that this signification takes place from, beyond to what is provided in the co-text and contexts of the text, the crossing of intertextual relations, the reach of the intended communicative purposes in the strip genre use, socially defined as to the production of humor, highlighting the constitution of the humoristic bias as the element that keeps the postures in front of the functionality of intertextual relations and from the signification of samples of strip genre.