Desdobramentos de memória em Flores Incultas, de Luíza Amélia de Queiroz

Abstract

This research has the purpose to analyze the memorialistic process in literary work Flores incultas (2015), written by Luíza Amélia de Queiroz, beneath the perception and the imageremembrance bias. They are recurrent in the work memorialistic images articulated to the body, in which this is an agent in remembrance process, whose actions have provided past materials. In this way, the memory can be updated in the present, through the impressions of the subject who pronounces itself. In Flores incultas, there is the coexistence between past and present, whose sensation and feelings are evidenced by lyrical subject. The research is bibliographic and having as fundamental references the thinking of Bergson (1999), Ponty (2011), Halbwachs (2003), Le Goff (1990), Paz (1982), among others. The poetic voice of Flores incultas turns back to past individual and collective scenes, whose memorialistic images arise involved of yearning, pain and melancholic. By verifying that, to orientate to the past, the poetic subject has done the image-remembrance using which corresponds to the main moments of its life trajectory. The perception is present in remembrance, through information addition and facts which are significant to it.